Cannes Film Festival Red Carpet: Where Cinema Meets Couture

Supermodel Irina Shayk made her entrance on the first day of Cannes festival in a stunning archival Giorgio Armanigown, proving that timeless style always reigns. Her look channelled quiet luxury and reminded everyone that black gowns—when styled right—are eternally chic. The ensemble was sleek and body-hugging, with clean lines that emphasised her statuesque frame. Her beauty look, centred around a deep side part and glowing skin, completed the aura of Old Hollywood glamour. In a year where sheer chaos was banned, Shayk’s subtle yet powerful statement spoke volumes.

Making a striking appearance at the European premiere of Mission: Impossible – The Final Reckoning, Hayley Atwell stunned in a Giambattista Valli Haute Couture N°28 “Venus” gown in rich scarlet silk faille. The bold colour choice and structured silhouette were a breath of fresh air amidst a sea of neutral and black tones, immediately capturing attention. The dress—voluminous but tailored enough to pass the updated dress code—was an ode to classical beauty and modern femininity.

Eva Longoria embraced couture fantasy in a flowing Tamara Ralph Haute Couture gown, radiating ethereal grace on the Croisette. Her look paid tribute to timeless elegance, with delicate embellishments and fluid fabric that swayed as she moved. Longoria has long been a Cannes festival favourite, and this year she reminded us why—with a look that blended modern sophistication and traditional craftsmanship. Though the festival discouraged excessive volume, Eva’s gown skirted just within the bounds, proving that it’s still possible to serve red carpet drama while honouring protocol.